The Invisible Man Is Never Invisible

Hegemony and the Subjugation of Invisible Bodies, an essay in homage to Paul Virilio.


In H.G. Wells’ The Invisible Man, the eponymous scientist increases his visibility in society when he turns himself invisible. He grows bold with his invisibility, turning into a murderer and announcing a reign of terror. The invisible-visible inversion comments directly on the relationship between technological progress and society, revealing that the various practices used to control populations become ever smaller, more unseen, while simultaneously becoming more efficient, more total.

The United States is fully in the era of endo-colonization, in which the government subjects its own citizens to the disciplinary measures that were once practiced on colonial populations or in warzones. The United States practiced disciplinary techniques over a century ago in the Philippines, a half century ago in Vietnam, and in Middle Eastern forever wars it created for itself after 911. But now helicopters fly low over American city streets, swooping citizens in displays of might worthy of Hollywood’s Die Hard (1988) in which FBI agents launch a helicopter attack on a supposed terrorist atop the Nakatomi Building. In cities across America, unmarked agents swarm protestors, pull them into unmarked vans, putting them through hours of questions and intimidation. On United States soil, the government has continued to refine and employ military techniques, deterrence techniques, surveillance, and disciplinary techniques, largely through the Homeland Security Administration.

In Pure War, Paul Virilio asserts that America, a power with no designated enemy, is threatened by its own supremacy. Yes, the United States has been in several forever wars, beginning after the World Trade Centers were hit by passenger airplanes, but these are not wars America has to wage. These are wars that the government chooses to continually wage for its own benefit. Maintaining ongoing wars is a way to increase patriotism and simultaneously decrease dissent. Ongoing wars provide a perpetual boost to the economy. The US discovered the benefit of the war economy during WWII when supplying the war machine effectively ended the depression and the leaps in research and development, specifically the nuclear capabilities as a result of the Manhattan project, positioned the country as a military superpower, meaning, of course, that the US was now able to influence politics across the globe in pursuit of securing economic interests. Continuing military interventions ensure that R&D spending results in maintaining a tactical military advantage over other world powers.

Science Fiction Writers on SciFi

 

NASA spacewalk

What’s my favorite thing about science fiction? Well, the overdosed, flatlined
cyberpunk fiction of Bruce Sterling and William Gibson is up there. But when
I think about the future of the genre, I think of a whole starfield of space to survey.
I think of the opportunity to adventure into my imagination to make worlds, ex nihilo.

And, man, I’ve been doing a lot of that lately. Driving to Bowling Green, Kentucky to teach composition and literature at WKU has afforded me 14 voice-to-text dictation hours a week of pure creative exploration with a dash of flawed dictation. (Max Cold gets transposed to Mac’s Called, Mask Colt, and even weirder stuff). 

But as I’ve been writing SF, I’ve had the good fortune to meet some stellar writers 
along the way. Knowing them and seeing the creative worlds that they pen has climbed to the top of my list of what I like about the genre. Because the genre is people, really freaking amazing people who have important things to say, beautiful things to say, or sometimes horrifying things, and genius thoughts, and images like crystalline winter webwork phasing in and out of dreams.

So, this post is both to and by my fellow SF writing friends who are exploring the genre, pushing its limits, filling empty space, and as Ryan Hyatt says, wonderizing us.

Ancillary Justice - Annie Leckie: Award Justice is Ancillary to, uh, Who Knows?


So, I hate this book. I originally started writing this review nearly two years ago. I was excited to read a book that won basically every award. I'm thinking, yay!, another book on the level of Neuromancer! Here's a rare book that was so good that it won all the damn awards. 

Yeah, well. The awards apparently mean nothing now. Because Ancillary Justice isn't worthy.

Hemispheres by Mark Everglade

Mark Everglade's Hemispheres offers a world of scarcity (Scar City) and plenty, a hemisphere bathed in permanent light (Dayburn) and another hemisphere shrouded in everlasting darkness (Evig Natt). This binary is one of many in Hemispheres, which explores binaries experienced by man individually and in society. Those include war and peace, order and chaos, consciousness and unconsciousness, male and female, light and dark, wealth and poverty, power and helplessness. Everglade uses his work to comment on social inequalities, like when he writes that "Cardboard cut-out shanties adorn the feet of skyscrapers" (50), an unfortunate reality in cities the world over, where the 1% live and work far above the poorest of the poor.

Interview with Dana Schoel: A Sense of Freedom!


Dana Schoel is a Montreal-based writer working in film, television, and print. He won a Canadian Screen Award for his documentary work about the Inuit and worked with Chad McQueen (son of Steve McQueen) on a Netflix biopic. His short film The Fantastic Bus is one part a poignant snapshot of childhood, full of idealism for a father, preternaturally strong and full of life, the embodiment of all authority through the eyes of his son. Fantastic Bus is also one part an adult's reckoning with the weakness of his parents, with their aging, with the knowledge that they were never perfect but were doing the best they could with what they had. Dana recently spent some time with Rapid Transmission and, for the record, Andy Weir is the SF writer, Peter Weir is the talented auteur.