Cormac McCarthy - The Road

“You forget what you want to remember, and you remember what you want to forget.”

The post-apocalyptic landscape is bleak in Cormac McCarthy's The Road. Food is scarce, so many of the ashen faced survivors of a meteor strike that has devastated the world's ecosystems have turned to cannibalism.

The Road is about survival, identity, and care for others. The central relationship is between a father and his son. McCarthy didn't name his characters, so Man and Boy will have to suffice. 

Father and Son

McCarthy's inspiration for the book was thinking about his role as father to his son. The role of raising a child, teaching them what they need to know to not only survive but to live well, carrying traditions forward, letting go of control so that the son can mature and take on responsibility. But, McCarthy placed the time-honored tradition of raising a son in a disturbed world where survival is a battle. Living is often dependent on killing.

Review of Attack Surfaces - Cory Doctorow

Cory Doctorow writes the books that need writing. In 2020, that's a book about police surveillance and the firms hired to bootstrap big scary surveillance tech on the backs of militarized police forces, forces that were scary long before they could track the movement and communications of citizens. But Doctorow doesn't just pull back the cover on scary tech and the firms that operationalize it. He counterbalances the acceleration of surveillance and control with democratic resistance. Doctorow's heroes stand up to power and keep standing up to power until that power stands down.

12 Monkeys - I Want the Future to be Unknown

Transcript: 12 Monkeys, "I want the future to be unknown"

Railly: Uh, you were standing there looking up at the moon, you were splashing through the water looking at the moon, then what? 

Cole: I thought I was in prison again. 

Railly: Just like that? You were in prison? 

Cole: No, not really. Like you said, it was all in my mind. 

Railly: You disappeared! Okay, one minute you were there. The next minute you were gone. Did you run through the woods? 

Cole: I don't know -- don't remember. 

Railly: The boy in the well. How did you know that was just a hoax? 

Cole: It was? I didn't, didn't know. 

Railly: You said he was hiding in the barn! 

Cole:  I think I maybe saw a TV show about that when I was a kid. Where a boy... 

Railly: It wasn't a TV show! It was real!

Cole: Well, maybe this boy saw the same TV show I did and he copied it. Look, you were right, I am mentally ill. I imagined all of these things, these people. I know they're not real. I can trick them, I can make them do what I want. I worked on them a little bit and I got back here. I can get better. I can stay here.

Railly: What does this mean to you? 

Cole: I think I had a dream about this. 

Railly: You had a bullet from World War One in your leg, James! How did it get there? 

Cole: You said I had delusions -- that I created a world -- you said you could explain everything... 

Railly: Well, I can't. ... I mean...I'm trying to. I can't believe that everything we do or say has already happened, that we can't change what's going to happen, that five billion people are going to die. 

Cole: I want the future to be unknown. I want to become a whole person again.
I want this to be the present. I want to stay here this time, with you.

Little Brother - Cory Doctorow

I'd read Down and Out in the Magic Kingdom before Little Brother. So, I knew that Cory Doctorow does more than tell stories. He extrapolates on the intersection of society and technology to consider what the future will be like. In Down and Out, the future is kind of odd. The only currency that matters is social currency. In other words, reading the (chat)room is all important. Down and Out is a utopia, a eu (good) and u (nowhere) kind of topos (place). As long as people like you, Doctorow's future Magic Kingdom offers a kind of immortality.  Death is forever averted by loading one's backups into fresh bodies. The desire to cheat death through technology has a history with Disney. Walt had his body cryogenically frozen in hopes that doctors and scientists in the future could revive him and extend his life. But in Doctorow's world of extended life, life only matters if others value you.

An Interview with Robert G. Penner, Author of Strange Labour

Robert Penner was editor at Big Echo, which ran for four years and published boundary breaking SF. Now he's moved into his own boundary breaking with a bold, new book, Strange Labour.

Some books have a painterly quality. The images jump off the page, vivid windows into worlds that veer into territory at once strange and familiar. That's where Penner's Strange Labour begins and ends. Penner is an imagist in the quality of the moderns as much as he is a postmodernist and a genre writer. Strange Labour is literary SF, merging philosophy with PK Dickian skepticism, like anxieties about using marijuana for fear of scrambling one's own genetic material.